Tales of His Kingdom in the Celtic Music Style |
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| Welcome to Kingsbard, a delightful blend of the traditional and the innovative ... erupting joy and quiet reflection ... the thrill of the pipes and the enchantment of the Irish harp ... warm comfort and bold provocation. Enjoy Celtic Christian music at its best. |
Established in 1989, with a vision to unite
two passions of its founding members--a
profound
awareness of the need for Christ Jesus
in
the individual's life and in society
as a
whole, and an unbridled enthusiasm
for traditional
Celtic music. From its inception, Kingsbard
has sought to convey its message in
much
the same way that traditional bards
preserved
the histories and aspirations of the
peoples
that they were a part of. Indeed, Kingsbard's
presentation bears a fair resemblance
to
the traditional ceilidh gathering,
consisting
primarily of musical story-songs, often
Kingsbard's leader, David Duerr, writes most of the material for the group. As his last name implies, he is a typical American mongrel--though his pedigree boasts two Scottish grannies! He holds a B.A. in Music from San Jose State University, but experienced a Damascus Road conversion to Celtic music about 15 years ago. He provides a lot of the lead vocals for the group, as well as some instrumental work. His musical relation to co-founding members John and Kathy Hopkins goes back nearly 30 years, when they played in a Christian band together. The final founding member, Janet Londgren, also has a long term commitment to Christian Folk Music. The rest of our group is listed at the right. Brought together, occasionally with traditional dancers as well, it makes for an experience not soon forgotten. In early 1995, Kingsbard released their first CD entitled Followin' the Gypsie Laddie-o. It contains over an hour of original pieces reflecting the groups versatility and message. It is also available in |
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Thank you Lord Jesus for Your unfathomable
love.
The fire hisses and pops as it comfortably
settles into a glowing mass of coals. Young
lads and lasses gaze drowsily into the shadow
world betwixt firelight and darkness, where
the wee folk are said to dwell. The exuberance
of the ceilidh gathering, like its great,
gay fire, gradually and almost imperceptibly
dissipates into a silent reverie. It is then
that the voice of the Bard is heard -rising
and falling into each cadence of the free-flowing
melodic strains. Here is the chronicling
of a people; their victories, their defeats,
their joys, their sorrows, their aspirations.
And each listener - be he grey-crowned patriarch
or drowsy-eyed bairn -is gently reminded
of who he is, and where he has come from;
whither he must go, and Who continues to
lead him all the while.
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| To contact Kingsbard by email: david@kingsbard-music.com |
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| To contact webmaster support: john@kingsbard-music.com |
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